The AG-DVX100 shattered conventional notions of what a DV camera-recorder could do, delivering image quality, functions and operating ease suitable for professional applications. As the first model in its class to offer the 24p/30p Cinema mode, the AG-DVX100 was particularly well received by filmmakers and image creators. Now, Panasonic introduces the AG-DVX100A. This advanced new

The AG-DVX100 shattered conventional notions of what a DV camera-recorder could do, delivering image quality, functions and operating ease suitable for professional applications. As the first model in its class to offer the 24p/30p Cinema mode, the AG-DVX100 was particularly well received by filmmakers and image creators. Now, Panasonic introduces the AG-DVX100A. This advanced new model takes the DV camera a big step forward, retaining the popular features of its predecessor while adding enhancements that reflect feedback from professionals who used the AG-DVX100. The AG-DVX100A offers higher image quality and more functions than its predecessor. Even more important, it provides high-level specifications and design improvements that cater to the needs of professional camera operators. Mobile, versatile and easy to use, the Diamond Graphite AG-DVX100A has everything you need for creative content production and active image gathering.

Product Features

  • Superior Image Rendering with the Leica Dicomar Lens
  • 410,000-pixel (NTSC), 3CCD Image System Provides F11 Sensitivity for Superior Image Quality
  • High-Sensitivity Slow Shutter
  • High Image Quality with 12-Bit A/D Conversion
  • RGB Gamma Processor Provides Rich, Cine-Like Tones
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Comments

CreativeXianMan says:

CineTech22 is right, but… CineTech22’s information is correct regarding effective resolution, exposure latitude, etc. Film is a chemical process, and the amount of detail that can be delineated on essentially a molecular level on celluloid is staggering, even with 16mm. BTW, DV resolution is 720×480, not 640×480, but your point still is made–WAY less info than film. As far as the focus operation is concerned, there is an aftermarket “follow-focus” rig available to address this, but yes, the stock camera doesn’t let…

James Longley "documentary filmmaker" says:

a serious improvement over the DVX100 I have been using the DVX100A in Iraq for over a year; I had started shooting on the previous model, the DVX100 — and then upgraded to this one. Filming in 24p(Advanced) letterbox format. Between the two cameras I have shot 300 hours of material in difficult conditions. The DVX100A is a very serious improvement over the DVX100 — and the difference lies in better signal processing that stretches the exposure range of the camera. My material shot with the DVX100A has much better latitude — the…

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